Showing upcoming festivals from Tue 19th May 2026 onwards.
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Manchester Jazz Festival
15th - 24th May 2026
Lightning in a Bottle
20th - 24th May 2026
Bearded Theory Festival
20th - 24th May 2026
Shindig Festival
Taunton
21st - 24th May 2026
Buckle & Boots Country Festival
21st - 24th May 2026
Breaking Bands Festival
21st - 24th May 2026
Glastonbudget Festival
21st - 24th May 2026
Knockengorroch Limited Edition
21st - 25th May 2026
FLY Festival Glasgow
Glasgow
22nd - 24th May 2026
Bournemouth7s Festival
22nd - 24th May 2026
BottleRock Festival Napa Valley
USA
22nd - 24th May 2026
XXL Malta Festival
Malta
22nd - 24th May 2026
In It Together Festival
22nd - 24th May 2026
GALA
Brockwell Park in London
22nd - 24th May 2026
BBC Radio 1 Big Weekend
Liverpool
22nd - 24th May 2026
Playing The Field 2026
23rd - 24th May 2026
TN90s Festival Tonbridge
23rd - 24th May 2026
Rockstock Tribute Festival
23rd - 24th May 2026
Bromsgrove Tribute Festival
23rd - 24th May 2026
Slam Dunk Festival - South
23rd May 2026
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As Romare, Archie Fairhurst’s working practice is rooted in building vivid new forms out of existing material. Playful but also deeply researched, his albums and performances are patchworks of inspirations and obsessive lines of enquiry made from a global panoply of source material.
The clue is in the name – Fairhurst called himself Romare in tribute to Romare Bearden, the lauded American multi-disciplinary artist renowned for his incisive collages. In Bearden’s process Fairhurst saw a way to approach the infinite pool of electronic music production with a more considered approach to sampling, creating music from existing sonic material and bedding themes into his juxtapositions.
For all the considered concepts and unusual arrangements, Romare is dance music at heart, and it naturally translates into the live and club environment. At times Fairhurst has pulled together a full line-up to render his music on stage – a call back to his roots playing guitar and drums in bands – but elsewhere he’s at home sequencing and arranging his music solo, re-moulding album material in the moment with the flexibility which dance music so often requires. Equally, he has DJ’d prolifically around the world with an omnivorous approach which serves as a logical extension of his studio craft, balancing hidden corners of historical investigation with the kinetic impulse of the dancefloor.