Showing upcoming festivals from Tue 19th May 2026 onwards.
You are filtering by Artists. (Clear All Filters)
Beyond The Pale
12th - 14th Jun 2026
Got a festival that's not listed or need to update your festival's details? Add your festival
There's so many amazing festivals out there but it can be difficult to work out which festivals you're going to attend. There's so many things to take into consideration - the location of the festival, the size of the festival, the genre of music, whether it's family friendly and the type of facilities onsite.
Skiddle's new Festivals Finder is here to make the process that bit easier. Simply use the Festivals Finder's unique festival search, which include options allowing you to search for festivals based on filters such as location; month; genres; type; size; accommodation; amenities and even the artists you've liked on Facebook!
Jan Blomqvist, born in the 80s (not in Sweden) is a Berlin-based solo-artist and bandleader. It was him who invented concert techno: dreamy vocals and simple beats. With his band BLOMQVIST he’s into dancy electro-pop, as a solo-artist, he plays clubsoul.
As a kid Jan never cried, just sang. His hippie parents approved and bought him his first guitar. Just as he had learned to play like Keith Richards, he realized he’d rather be like Mick Jagger. He formed/founded his first band in a little village in lower Saxony, Germany.
Then comes Punk: “musically rather destructive, but more or less character-building.” The first money earned was spent on an amp. The school band didn’t want him as a member. Their music was shitty anyway. At the age of 21, being an aerospace technology student, he gets acquainted with techno. DJs. It dawns on him that music could be a profession. “Being a teacher is riskier if you don’t like to get up in the mornings.”
In the daytime, he sleeps. At night, he constructs his tracks for hours on end. He earns (is earning) money as a bartender at weekend club and spends it on ‘educational trips’: Radiohead open-air concerts, Bar25, After Hours. Someday it’ll work: “to shatter the boredom in the clubs, to bring a concert feel to their dance floors, with simple vocals and minimal beats. Rock ‘n’ Roll in the club. Everything kept simple with finesse en detail.”
And then, boom: In 2011, a gig at fusion festival in front of 3000 people, releases on the Dantze and Stil vor Talent. “The more the merrier.” In 2012 a rooftop concert at weekend club; the YouTube clip is going to be seen by millions. 350 gigs in three years. Jan remembers them all: New York, Moscow, Paris, Istanbul, Los Angeles, Rome, San Francisco, Mexico City, Copenhagen, Brussels, Amsterdam, Milan, Athens, Budapest, Beirut, Tunis, Naples, Bucharest, Warsaw, Zurich, Marseilles, Montpellier, Thessaloniki, Munich, Vienna, London… For his first album he’s taking as much time as he needs. He loves half beats but hates half measures. For him, being in the studio is/means to draw from his experience playing live (live experience).
Solo artist and bandleader Jan Blomqvist’s orchestra: Christian Dammann, drummer. Felix Lehman, pianist. Ryan Mathiesen, lyricist. “To turn the incomplete into character sounds: emotional, honest, authentic, bass-dominated, two-toney, rarely in text book fashion. Because it’s the minimally sloping sound that gives you goose pumps.”