They're back! Although they've never really been away. Barry Ashworth's evergreen bunch of dubwise vagabonds have been rocking practically every festival in existence all summer, and yet have still found time to squeeze out a new album — their sixth. And it's another corker.
'The Return Of The Pistoleros' makes them sound like a Latin prison gang, extras in a spaghetti western, a marauding mob of Tequila-swigging mobsters, or a Mexican drug cartel. Some of which have a grain of truth to them. Joking aside, though, it's been a long road to get to where they are — one of the most popular and best-loved acts on the circuit — but it's testimony to their perseverance and staying power that their popularity still keeps increasing.
The Dubs have been dubbed 'The Pistoleros' in recent times by their army of fans — so it seemed only natural to adopt the tag for their latest album on Rob Da Bank's Sunday Best imprint. El Pistolero is also the nickname of Uruguay talisman Luiz Suarez, who knocked England out of the 2014 World Cup. But as Barry is a Liverpool fan, he's happy to still have this association. Just.
The Dub Pistols coalesced in the mid-'90s and initially surfed the big beat wave along with acts like the Chemical Brothers and Fatboy Slim. They had some minor chart hits like 'Cyclone' and 'There's Gonna Be A Riot' on Concrete Records, remixed the likes of Moby and Limp Bizkit, and made dramatic inroads into America. Their debut album in 1998, 'Point Blank', cemented their position as party-rockers extraordinaire, and by the time it came to their second album around the Millennium — 'Six Million Ways To Live', with guest vocals by reggae great Horace Andy and lead singer of The Specials, Terry Hall — they were more concerned with some of the world's problems.
The album was due to come out just before September 11th 2001 — the date of the Twin Towers terrorist attack in New York — and so had to be postponed. It was the start of the now-familiar Dub Pistols self-deprecating mantra: what could possibly go wrong?
As the noughties progressed, they signed to Sunday Best and went a bit more poppy for 'Speakers & Tweeters', which included cover versions of 'Rapture' by Blondie, 'Peaches' by The Stranglers and 'Gangsters' by The Specials – a track they had been making their own live. After guesting on their second album with 'Problem Is', estranged Specials singer Terry Hall started singing live with them, and the warm reaction he received from music fans was instrumental in him agreeing to reform his infamous 2-Tone band a few years later.