Model/Actriz

Like their name suggests, Model/Actriz seek to channel raw emotions into striking new forms. The band’s surface glamor is supported by nerves of steel, leveraging their focus into moments of wild abandon. Since their songs roar to life off the back of blistering guitar, relentless drums, and pummeling bass there’s an expectation that Model/Actriz aim first and foremost to be shit-starters. But their instrumental muscle couches a searching heart and the Brooklyn quartet have long made a mission to reconcile undefinable feelings by charting a ferocious new path through sound, one that brings jagged emotions back into full, sweaty alignment with the listeners’ bodies.

Their debut record Dogsbody was sexy, dark, and humid, full of eerie passages and veiled menace. Songs like “Amaranth” and “Mosquito” were hot house scenes cast in foreboding half-shadow, with frontman Cole Haden as the hero at the center of its shifting, sultry gloom. The figure he cut was reassuring and ominous, both an experienced guide who could light up the music’s dim corridors and a haunting presence who was inextricably bound to them. The lyrics found him fumbling around in its darkness to become the person he is today – scarred, but made stronger in pursuit of its seduction.

Model/Actriz’s sophomore album Pirouette, which was co-produced and mixed by Seth Manchester and mastered by Matt Colton, their collaborators on Dogsbody, swerves out of the maze and directly into the spotlight. It is Dogsbody’s equally accomplished, but much more self-possessed sister record – thumping and immediate rather than dark and obscure. The light it casts off originates from within, and reflects a band that’s not only grown into its strengths but conquered its demons. Haden no longer vamps from the shadows but at the very front of the stage – and often in the very thick of the crowd– commanding the music’s chaotic center with a poise that channels Grace Jones and Lady Gaga.

Support from Mun Sing.