Kiran Leonard’s unique and ambitious body of work spans more than a decade of releases on labels such as Moshi Moshi and Hand of Glory, limited-run noisy DIY fare, and everything in between. The adolescent guitar/chamber prog of early records such as ‘Bowler Hat Soup’ (2013) and ‘Grapefruit’ (2016) earned praise from Pitchfork, the Guardian and the Quietus, and produced several BBC 6Music-playlisted singles. More recent work has seen Kiran attempt to synthesise interests in situated/home recording, collage, his live practice, and a combination of songcraft with graphic scores, as documented on the monumental (i.e. two-hour-long) and abstract ‘Trespass on Foot’ (2021) and ‘River Holds Peace, Some Live’ (2023), a collection of new and old material arranged for an ensemble of multiple electric guitars, cittern and double bass.
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