Straight Beats, softly shimmering synthesizers, a delicate guitar and a low,
dream-like voice – Levin Goes Lighty’s Debut “Dizzy Height” (out August
24, 13 on Treibender Teppich Records) fuses the entire Lo-Fi spectrum into
one conclusive whole. The result are songs like the casually cool
no-wave-stomper “Metropolis” or the incandescent beach pop of “Feeling”.
These minimalistic songs carry a dense, almost visible atmosphere.
Anyone who has ever been to the Stuttgart Nordbahnhof, where decommissioned
railroad wagons form an artists’ village behind which the tracks
are rusty and have stood unused for ages, will instantly understand where
the record’s lucidity, serenity and gl ittering sounds have their roots.
Levin is a 24-year-old art student who lives and works in one of these discarded
wagons. His music is inspired by this fl air of being at once in the midst
and at the edg e of the city, as well as by his wildl y overgrown, industrial
surroundings.
Straight Beats, softly shimmering synthesizers, a delicate guitar and a low,
dream-like voice – Levin Goes Lighty’s Debut “Dizzy Height” (out August
24, 13 on Treibender Teppich Records) fuses the entire Lo-Fi spectrum into
one conclusive whole. The result are songs like the casually cool
no-wave-stomper “Metropolis” or the incandescent beach pop of “Feeling”.
These minimalistic songs carry a dense, almost visible atmosphere.
Anyone who has ever been to the Stuttgart Nordbahnhof, where decommissioned
railroad wagons form an artists’ village behind which the tracks
are rusty and have stood unused for ages, will instantly understand where
the record’s lucidity, serenity and gl ittering sounds have their roots.
Levin is a 24-year-old art student who lives and works in one of these discarded
wagons. His music is inspired by this fl air of being at once in the midst
and at the edg e of the city, as well as by his wildl y overgrown, industrial
surroundings.