Common Holly + support | The New Adelphi Hull Hull  | Fri 17th January 2020 Lineup

Common Holly + support

The New Adelphi Hull in Hull

Friday 17th January 2020

8:00pm til 11:00pm

Minimum Age: 18

Darkfolk / sloth rock / indie from Canada’s Common Holly, playing with full band.

 
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Common Holly + support on Friday 17th January 2020

The Adelphi presents darkfolk / sloth rock / indie from Canada’s Common Holly (full band) + Supports.

Doors 8 pm

Advance Tickets £5 / £3 members advance from theadelphi.com. More on the door

https://www.theadelphi.com/events/common-holly-supports/

'Silky vocals poised above soft strums that eventually crescendo, sweeping an entire indie-rock spectrum' - PopCrush

'Common Holly's sounds are immediately unique, drawing us into a world of her own creation'- Raw Meat

'Magical and mercurial and then decisively sincere' – Gold Flake Paint

Holding fast to the emotional honesty of Playing House (2017), Common Holly’s sophomore record, When I say to you Black Lightning is a look outward; an exploration of the ways in which we all experience pain, fear and self-delusion, and how we can learn to confront those feelings with boldness. A swift change of course, WISTYBL couples a submergence into the dark and dissonant with its consolation in harmony, and a dose of dry humour.

The record is more experimental than Brigitte Naggar’s debut. It is rougher, looser, louder and more atonal. It feels edgy, but still kind. WISTYBL ditches fear without losing vulnerability, and trades in sadness for the healing powers of anger, and the strength of observing, recognizing and confronting. Through its 9 labyrinthian yet catchy tracks, shaped sonically by the seriously unique visions of Devon Bate, Hamish Mitchell, and Naggar herself, the album observes the complexities of mental health, the precarity of life, and the challenges of finding strength in the face of grave misunderstanding.

On its own, When I Say to you Black Lightning is a phrase which holds authority– it does not apologize for itself, it stands boldly where it is, and yet it also laughs at itself for daring to take up that space. The title phrase is directive—it suggests a thought without completing it, engaging you to contemplate what comes next and pointing the finger away from itself to somewhere undefined. If Playing House was about personal turmoil, WISTYBL is about humanity’s emotional challenges and how we each approach them as individuals. The former centered around one person and one heartbreak, while the latter circles different characters that Naggar has observed or interacted with—romantically or otherwise, whose stories cumulate in a whimsically entertaining tale of struggle, and the resulting emotional growth.

“This record isn’t one singular statement, it documents a period of growth. The songs were written mainly over two years and they all reflect potent moments from that time. While it’s obviously personal and based off of my own experience, I want this album to feel familiar— life gets complicated as we grow, people form relationships to each other, they lose things, they discover pain, fear, self-delusion; sometimes it’s funny, sometimes it’s weird, often it sucks—and we have to navigate our way through all of that.”

WISTBYL feels like Naggar’s conversation with herself, meticulously penned to work through challenges as they unfold. It’s cool, and more than that, it feels important. It’s about finding the seeds of strength to navigate adult life, and about the ways in which we all find ourselves in that place of struggle when life starts to show you its cards and you begin to understand, in the artist’s words, “just how real shit can get.”

Music Genres: 

Alternative, Folk, Indie

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