Big Daddy Kane | The Concorde 2 Brighton  | Sat 26th May 2018 Lineup

Big Daddy Kane

The Concorde 2 in Brighton

Saturday 26th May 2018

7:00pm til 10:00pm

Minimum Age: 18

Beat Down presents Legends of Hip Hop BIG DADDY KANE plus DJ Outbreak Saturday 26th May Concorde 2 Brighton Doors 7.00pm - 10.00pm

 
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Big Daddy Kane on Saturday 26th May 2018

Beat Down presents
Legends of Hip Hop

BIG DADDY KANE
plus DJ Outbreak

Saturday 26th May
Concorde 2
Brighton
Doors 7.00pm - 10.00pm

TICKETS ON SALE 10am TUESDAY 27th MARCH
Limited Early Bird Tickets at £16.50!!!!

Tickets available here:https://www.concorde2.co.uk/events/big-daddy-kane-1

BIG DADDY KANE

In 1984, Kane became friends with Biz Markie, and he would co-write some of Biz's best-known lyrics. Both eventually became important members of the Queens-based Juice Crew, a collective headed by renowned producer Marley Marl. Kane signed with Tyrone Williams’s (Marl’s manager) and Len Fichtelberg’s Cold Chillin' Records label in 1987 and debuted the same year with the 12' single 'Raw,' which was an underground hit. Kane is known for his ability to syncopate over faster hip hop beats, and despite his asthmatic condition he is acknowledged as one of the pioneering masters of fast rhyming. His sense of style is renowned and set a number of late-1980s and early-1990s hip hop trends (high-top fades, velour suits, and four-finger rings). The backronym King Asiatic Nobody's Equal is often applied to his moniker.

He released his debut album on Cold Chillin' Records in the early summer of 1988 called Long Live the Kane, which featured the hit 'Ain't No Half Steppin''. The following year Kane released his second album and biggest hit to date It's a Big Daddy Thing, which included 1970s sample throwbacks like 'Smooth Operator' and the Teddy Riley-produced track 'I Get the Job Done,' which hit the R&B top 40 during the closing of the 1980s. He also had a memorable verse on the Marley Marl-produced track 'The Symphony' released in late 1988, which included Juice Crew members Craig G, Masta Ace, and Kool G Rap.

Big Daddy Kane is regarded as one of the most influential and skilled golden age rappers. MTV put him at No. 7 in their Greatest MCs Of All Time list, he is placed at No.4 in Kool Moe Dee’s book There's A God On The Mic: The True 50 Greatest MCs,
About.com ranked him #3 on its list of the 'Top 50 MCs of Our Time,' and RZA listed him as one of his Top 5 best MCs.
In 2012, The Source ranked him #8 on their list of the Top 50 Lyricists of All Time. Allmusic says, 'his best material ranks among the finest hip-hop of its era, and his sex-drenched persona was enormously influential on countless future would-be players', and describes him as, 'an enormously talented battle MC', 'one of rap's major talents', refers to his, 'near-peerless technique' 'and 'first-rate technique and rhyming skills' and says he 'had the sheer verbal facility and razor-clean dexterity to ambush any MC and exhilarate anyone who witnessed or heard him perform'. Kool Moe Dee describes him as 'one of the most imitated emcees ever in the game' and 'one of the true greatest emcees ever', and Ice-T says:
'To me, Big Daddy Kane is still today one of the best rappers. I would put Big Daddy Kane against any rapper in a battle. Jay-Z, Nas, Eminem, any of them. I could take his 'Raw' 'swagger' from 88 and put it up against any record [from today]. Kane is one of the most incredible lyricists… and he will devour you on the mic. I don't want to try to out-rap Big Daddy Kane. Big Daddy Kane can rap circles around cats.'

His first two albums are also considered Hip Hop classics and Rolling Stone says, 'he has received consistent critical kudos'.
In the book, Rap-Up: The Ultimate Guide To Hip-Hop And R&B, Cameron and Devin Lazerine say Big Daddy Kane is 'widely seen as one of the best lyricists of his time and even today regularly gets name-checked by younger dudes', and music journalist Peter Shapiro says Kane is 'perhaps the most complete MC ever'.
Eminem references Big Daddy Kane in the lyrics to his song ‘Yellow Brick Road’ from his Encore album, saying, 'we (Eminem and Proof) was on the same shit, that Big Daddy Kane shit, where compound syllables sound combined' and he quotes the same lines in his book, The Way I Am – this illustrates how Big Daddy Kane had an influence on both Eminem’s and Proof’s rhyme technique.

Music Genres: 

Funk, Hip Hop, Soul

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