Mamas Gun are masters of modern soul music. Their blend of classic and contemporary influences have sparked millions of streams worldwide and garnered praise from The Sunday Times, Billboard, The Guardian, and Uncut Magazine. Collectively, the London-based group's first three albums, Routes to Riches (2009), The Life and Soul (2011), and Cheap Hotel (2014), spawned Top 10 hits on four continents, including #1 singles in Japan and Hong Kong, propelled by the band's sold-out tours and funky, full-tilt performances at the Billboard Music Awards (Tokyo), plus global music festivals like WOMAD, Greenroom, Java Jazz, and Pentaport. With the release of Golden Days (2018),Mamas Gun have delivered their defining masterpiece.
Golden Days is the culmination of a musical journey that spans ten years and has helped fuel the vanguard of 21st century soul alongside the Dap Kings, Charles Bradley, Lee Fields, and Mayer Hawthorne. Since 2007, group founder and frontman Andy Platts (singer, composer, producer) has piloted Mamas Gun with Dave 'Eighties' Oliver (keyboards) and Terry 'Spiller' Lewis (guitar), plus newest members Cameron Dawson (bass), and Chris Boot (drums). Their distinctive, full-band sound stems from a shared artistic vision among the five members in Mamas Gun. 'The present lineup is the best version of the band to date, built on years of important creative exploration with previous lineups,' Andy declares. 'Those experiences definitely paved the way for where we are now and the decisions we’ve made for the direction of this new album,' adds Spiller.
Produced by the band themselves for the first time, Golden Days captures Mamas Gun in peak form. 'Everything is live on this whole album,' notes Cameron. 'It's all analog.' The album also features notable contributions from horn players Andy Ross and Dominic Glover, who've performed and recorded with Amy Winehouse and Incognito, songwriters Connor Reeves (Tina Turner, Joss Stone, Joe Cocker) and Christopher Braide (Sia, Lana Del Ray, Paloma Faith), and artist/producer Shawn Lee (Jeff Buckley, Kelis, Saint Etienne), who lent his genius to the album's mix.
No matter where the needle drops on Golden Days, the brilliance of Mamas Gun shines through the grooves. Album opener 'You Make My Life a Better Place' is the perfect gateway to the proceedings. 'That track is a bit of a mission statement,' Dave says. 'It's warm and inviting. It has that recognizability of the lineage we're drawing on from classic R&B and soul music.' The song sets the tone for an album packed with potential singles, each fashioned by a sonic imprint that's unique to Mamas Gun. “It was really important for us that this album was a consistent listening experience from start to finish,' says Chris. Indeed, they create a smouldering soundscape on 'Diamond in the Bell Jar' while 'I Need a Win' and 'On the Wire', the band's tuneful retort to the Brexit referendum, both have an instant appeal on par with their very best work.
The sizzling and stylish 'London Girls' holds a special place for Andy. 'I wanted to write a tune with 'London' in the title,' says the singer, who penned the song with his wife Jodie Seymour. 'For most of my career, I've been making American-influenced music and it's nice to do stuff that kind of points to where you're from and the fibre of your being, having something with 'London' in it without it being too tongue-in-cheek. I also wanted to write something very empowering about the strong metropolitan London women, from the street to the board room.'
Elsewhere, Golden Days glimmerswith vivid musical settings, from the velvety grooves of 'We' to the spectral ambience evoked by 'The Spooks' to the trail of interludes that conclude with closing track 'This is the Day'. In between, 'Strangers on a Street' deftly juxtaposes buoyant melodies with a bittersweet storyline. 'I love that idea of talking about something maybe serious, sad, or loaded emotionally, but dressing it up in something that doesn't have too much depth,' says Andy. 'The music calls you in, then you unwrap it and realize there's something a bit more at the center of it.'
A sense of joy and fun, coupled with exceptional musicianship, has always distinguished Mamas Gun from their contemporaries, even as they've grown and experimented with each new release.It's those qualities that catapulted their first two singles from Routes to Riches onto BBC Radio 2 playlists and helped them surpass Madonna as the #1 international act on Japan's airplay charts. The Life and Soul won more support from BBC Radio 2 and solidified their draw as headliners across Europe and Asia. Cheap Hotel powered the group's profile even higher, reaching the Top 20 on the UK's Independent Album Chart with a Top 10 Airplay single ('Red Cassette').
However, Golden Days is the ultimate reflection of the band's approach to songwriting and recording. 'Everything seems to feel consolidated,' says Andy. 'I feel like Golden Days is a high watermark, in terms of the songs, in terms of the camaraderie in the band, in terms of the outlook. I firmly believe that this is the best in the golden period of Mamas Gun.'
“Mamas Gun have got something original going on, allowing their music to transcend any accusations of retro pastiche' “ Best album yet from rising London Quintet”– MOJO
SUNDAY EXPRESS Album of the Week 4* - 'This is the sound of the summer, without question' ****
Mamas Gun shines from Beginning to end!” - THE 405
'Their finest collection thus far, beyond the slightest sliver of doubt' **** - Echoes
'Mamas Gun is not firing blanks here with an album that's sprinkled with nods to Orleans, Toto and Crosby, Stills & Nash' ***** - Hi-Fi Choice
“Mamas Gun have hit their sweet spot, more, please!” **** - Blues & Soul
'Pure joy' - The 405
“Mamas Gun have constructed blistering albums, releases that place them at the forefront of 21st century soul' - Clash
“A blend of funk and deep soul that really gets you moving” - EARMILK
“The way Mamas Gun are able to pay homage to the sounds of the '70s while adding their own original fingerprint is a testament to the bands creative authenticity” - Indie Shuffle
THE SUNDAY TIMES ‘Wonderful music that combines classic soul influences with a distinctly modern production approach...’
UNCUT MAGAZINE ‘As heart-warmingly catchy as anything from Stevie Wonder’s purple patch’
BILLBOARD ‘a kaleidoscope of a record that travels through genres in the most gorgeous and successful ways’
“A delight”– Independent
“ irresistible”– Mail on Sunday
“Light, lithe soul and agile funk”– Daily Mirror
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