Why? + Mol Sullivan

For nearly three decades, WHY? have thrived in subverting expectations. Across seven unpredictable and adventurous studio albums, the band led by Cincinnati songwriter Yoni Wolf has stretched the fringes of psychedelic pop, hip-hop, and electronic music. No matter the genre experiments and thematic departures, their discography is remarkably consistent, anchored by Wolf’s disarming lyrical transparency. His writing is provocative, self-lacerating, and always considered, coming from a place of blunt emotional openness. The Well I Fell Into, the eighth full-length from WHY?, is Wolf at his most cohesive and poignant. An autopsy of heartbreak, the album charts the ups and downs of a devastating breakup while trading bitterness for healing. Self-released on Waterlines, Wolf’s new label that follows in the footsteps of Anticon, the trailblazing artist-run collective he co-founded, its 14 tracks stand as the band’s prettiest and most immediate work yet.

Though every WHY? album since 2012’s Mumps, Etc. was recorded at various home studios, Wolf and his bandmates Josiah Wolf, Doug McDiarmid, and Andrew Broder tracked The Well I Fell Into with Brian Joseph (Sufjan Stevens, Bon Iver) at Eau Claire, Wisconsin’s Hive Studio. The move resulted in compelling and accessible arrangements that enhance the strong hooks grounding the songs. “On this one, I’m very interested in classic songwriting,” explains Wolf, who also enlisted a cast of collaborators to flesh out these recordings, including Gia Margaret, Finom’s Macie Stewart, Lala Lala’s Lillie West, Serengeti, and Ada Lea. “I want my songs to be able to be played unadorned by just one person and still hold up. Any production frills should only serve to elevate the song further without being relied upon to tell the story.” 

Compared to the short, collage-like songs on 2019’s AOKOHIO, these songs breathe with lush, curated textures that feel patient and intentional. The palette is inviting, yet still unconventional—as on “G-dzillah G’dolah,” an at once minimalist yet lush ballad featuring strings, set into motion by a twinkling prepared piano. Harmonies also soar throughout The Well I Fell Into; the exemplary, diaristic “The Letters, Etc.” features a cathartic chorus as Wolf, in an array of choral voices sings, “Maria / The letters were a last-ditch effort, rattle of death.” “Nis(s)an Dreams, Pt. 1” slowly evolves with clanging guitars and a Beatles-esque outro complete with grand piano, strings, and a Greek chorus singing, “Keep buffing me off for a brighter day.” 

The Well I Fell Into is an ultimately hopeful record. While it deals with messy emotions, it tackles them with a disarmingly lucid candor and a profound grace. There are no external villains and no wallowing, just a frank dissection of the past and a diligence to move forward. For that, the album stands near the top of the WHY? catalog as a document of an artist pushing through and finding some sense of peace. “I don’t know if it’s the ketamine therapy or meditation or what, but I feel I’m in a little bit of a second wind with my songwriting,” says Wolf. “I was in some kind of pit but I’m not really there anymore. I’m flowing now more than I have in many years.”

Support from Mol Sullivan.

Mol Sullivan's music swoons feathery and punches low. Her songs- each a poetic exposé of messy and brilliant humanity- range from bedroom-pop lullabies to alt-country rock tunes drenched in vinegary twang. In 2023, she released the luscious and swirling EP, A Little Hello, on Ruination Record Co. Her debut studio LP, GOOSE, (prod. Sima Cunningham [Finom]) was unveiled in early 2024 to appropriate acclaim. Her work has been featured on Bandcamp's Essential Releases, KCRW's Top Tune of the Day, and spent six weeks on the NACC Top 200 Chart (peaking at #22). Most recently, Sullivan has spent several months on the road as the newest member of WHY? and contributed to their latest album, The Well I Fell Into (2024).

Sullivan's GOOSE is like a “long exposure photograph,” representing snippets of her songwriting styles over the course of many years and captures the radical change she experienced as a person emerging from a decade-long affair with alcohol. The Cincinnati-based singer-songwriter highlights the difficult labor of unlearning patterns of behavior that don’t work anymore - and learning to let go of relationships that refuse to recognize their own. She deftly infuses her songs with vocal melodies that can both leap into floating highs and dig down into a husky alto range. 

 If you're in the market for some fresh music to drum up nostalgia for 90s Top 40 Americana-pop, you're in luck. Sullivan is charming, witty, and wildly personal- a bowl of milk, deserving every single lap of a parched tabby's tongue.

Age restriction: 14+ / 14 - 16s accompanied by an adult